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Anti-liberal attempts: between burqa and criticism demonization

Yesterday, the British Parliament debated the ban of a garment, something that the British Parliament had not discussed since Victorian times. This time it was not the length of skirts or sleeves that the honorable parliamentarians addressed, but rather the well known (but rarely seen in western cities) burqa; banned in France, threatened in the rest of Europe, and now also under threat in the UK.

As other attempts, however, yesterday’s debate failed in imposing a burqa ban in the UK, and as the minister confirmed, Great Britain will not follow France.

The burqa is not an Islamic fashion per-se, but rather a tradition not opposed by Islamic teaching, which is probably the best way to present it. Covering the face, and in particular the mouth, has a geographical and environmental genealogy (such as the protection of skin and eyes from the dust and sand of, for instance, the Afghan desert). If such a garment is anything in Islam, it is a scholarly theological diatribe, with some sheikhs ready to wrap a baby in it, and others stating that it is not Islamic dress per-seContinue reading

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Burqu’ing freedom: the danger of ‘moral civilizing’

The year 2010 appears to be marked by the ‘war on burqas’ (the Switzerland minarets being an exception). While Belgium has formally moved to ban niqabs and burqas, Italy used regional laws to fine Muslim women using niqabs, and Quebec has imposed a ban for anyone wearing one to enter government places, including hospital and casualty departments (see this article for more information). The majority of European nations, such as France, are still debating the matter. Both politicians and experts recognize that the number of people who wear a face veil (click here to avoid any confusion about them as often happens) on European streets are very few, and in Belgium they are even less than fifty. It would not be so unimaginable to suggest–even starting from my own observations–that today in the west there are more Muslim women wearing miniskirts than face veils.
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Sarah Maple loves jihad: it makes money

 

Sarah Maple defines herself as an artist To use my definition of identity she feels to be an artist. Some would recognize her as such and invite her to expose her works  Other, as often is the case for contemporary at, would consider her ‘art’ as another pice of junk. Sarah Maple was born in 1985 and grew up in Sussex. The daughter of a mixed religious and cultural couple, she was brought up as Muslim by her mother.Let me say that I do not find Sarah Maple’s work interesting or original at all. For somebody born in Florence, tolerance for contemporary art tends to end with Kandinsky.

I tend to find Miss Maple’s artistic expression too childish and simplistic, when not overtly vulgar or distasteful without being even too original. Her work it seems often more the production of a school girl with too many hormones in her blood. Indeed it does not reach the artistic power of an unique scandalous artist affected by genitalphilia  such as Francis Bacon.  I have also the impression that as other artists and writers today, she is trying to find an easy route to fast success by playing with controversy surrounding Islam and Muslims. Continue reading

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